IRELAND DIRTY LETTERS

By Julieann Veronica Ulin

O'Roric, prince of Meath, have gone on an expedition into a distant quarter, left his wife [Dervorgilla] . . . in a certain island in Meath during his absence; and she, who had long entertained a passion for Dermitius, took advantage of the absence of her husband, and allowed herself to be ravished, not against her will. As the nature of women is fickle and given to change, she thus became the prey of her spoiler by her own contrivance. For as Mark Anthony and Troy are witnesses, almost all the greatest evils in the world have arisen from women.

—Giraldus Cambrensis, The History of the Conquest of Ireland (1189)

The story has gone abroad, through one Giraldus Cambrensis, that my wickedness, like that of fair Helen of Greece, wrecked the nation, and I have been made to bear the burden of the downfall of my country and the dishonor of my good name.

—Anna C. Scanlan, Dervorgilla; or, The Downfall of Ireland (1895)

Drunk and sitting on a barstool, ranting to all who will listen, James Joyce's citizen in the Cyclops episode of Ulysses (1922) offers the following explanation for Ireland's colonial condition and the subsequent centuries of violence, oppression, a lost language, emigration, and famine: "The adulteress and her paramour brought the Saxon robbers here. . . . A dishonoured wife, says the citizen, that's what's the cause of all our misfortunes" (Joyce 1986, 266). The dishonored wife and the adulteress referenced here is Dervorgilla, a twelfth-century queen whose personal narrative of seduction and abduction had, during her own lifetime, become fused with Ireland's national narrative of ruin. Writers as diverse as U.S. president John Quincy Adams and Nobel laureate W. B. Yeats offered later versions of Dervorgilla's role in Ireland's colonial subjugation. Regularly vilified in historical and literary narratives, Dervorgilla became known as "Erin's Helen," Ireland's own Helen of Troy. The continuous circulation and retelling of her story ensured that centuries of colonial oppression became traceable to this "dishonoured wife."

The citizen's explanation refers to the seduction or abduction (depending on the version) of the married Dervorgilla by Diarmuid Mac Murrough, king of the Irish province of Leinster. In the first book of his twelfth-century The History of the Conquest of Ireland(repeatedly quoted by the writers who return to the narrative of Dervorgilla centuries later) Giraldus Cambrensis writes:

[Diarmuid's] youth and inexperience in government led him to become the oppressor of the nobility, and to impose a cruel and intolerable tyranny on the chiefs of the land. This brought him into trouble, and it was not the only one; for O'Roric, prince of Meath, having gone on an expedition into a distant quarter, left his wife [Dervorgilla] . . . in a certain island in Meath during his absence; and she, who had long entertained a passion for [Diarmuid], took advantage of the absence of her husband, and allowed herself to be ravished, not against her will. As the nature of women is fickle and given to change, she thus became the prey of her spoiler by her own contrivance. For as Mark Anthony and Troy are witnesses, almost all the greatest evils in the world have arisen from women.

(Cambrensis 1905, 184)

In retaliation for this great shame, O'Rourke gathered forces against Diarmuid, and within a year, in 1153, Dervorgilla was recovered. As might be expected, tension and conflict continued between the two men. In 1167, fourteen years after the abduction, Diarmuid's many enemies and former allies turned against him, and he was driven out of his capital city, Ferns. Cambrensis writes of the exiled Diarmuid's decision to seek aid from King Henry II, the decision that, combined with his abduction of Dervorgilla, would be read as the origin story for the English involvement in Ireland. In 1167, Diarmuid returned to Ireland with a small force..

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James Joyce's dirty letters

To NORA BARNACLE from GALWAY

Dublin   2 December 1909
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My love for you allows me to pray to the spirit of eternal beauty and tenderness mirrored in your eyes or fling you down under me on that softy belly of yours and fuck you up behind, like a hog riding a sow, glorying in the very stink and sweat that rises from your arse, glorying in the open shape of your upturned dress and white girlish drawers and in the confusion of your flushed cheeks and tangled hair. It allows me to burst into tears of pity and love at some slight word, to tremble with love for you at the sounding of some chord or cadence of music or to lie heads and tails with you feeling your fingers fondling and tickling my ballocks or stuck up in me behind and your hot lips sucking off my cock while my head is wedged in between your fat thighs, my hands clutching the round cushions of your bum and my tongue licking ravenously up your rank red cunt. I have taught you almost to swoon at the hearing of my voice singing or murmuring to your soul the passion and sorrow and mystery of life and at the same time have taught you to make filthy signs to me with your lips and tongue, to provoke me by obscene touches and noises, and even to do in my presence the most shameful and filthy act of the body. You remember the day you pulled up your clothes and let me lie under you looking up at you while you did it? Then you were ashamed even to meet my eyes.

You are mine, darling, mine! I love you. All I have written above is only a moment or two of brutal madness. The last drop of seed has hardly been squirted up your cunt before it is over and my true love for you, the love of my verses, the love of my eyes for your strange luring eyes, comes blowing over my soul like a wind of spices. My prick is still hot and stiff and quivering from the last brutal drive it has given you when a faint hymn is heard rising in tender pitiful worship of you from the dim cloisters of my heart.

Nora, my faithful darling, my seet-eyed blackguard schoolgirl, be my whore, my mistress, as much as you like (my little frigging mistress! My little fucking whore!) you are always my beautiful wild flower of the hedges, my dark-blue rain-drenched flower.

JIM

To NORA

 Dublin  3 December 1909
……………………………….
……., you seem to turn me into a beast. It was you yourself, you naughty shameless girl who first led the way. It was not I who first touched you long ago down at Ringsend. It was you who slid your hand down down inside my trousers and pulled my shirt softly aside and touched my prick with your long tickling fingers and gradually took it all, fat and stiff as it was, into your hand and frigged me slowly until I came off through your fingers, all the time bending over me and gazing at me out of your quiet saintlike eyes. It was your lips too which first uttered an obscene word. I remember well that night in bed in Pola.

Tired of lying under a man one night you tore off your chemise violently and got on top of me to ride me naked. You stuck my prick into your cunt and began to ride me up and down. Perhaps the horn I had was not big enough for you for I remember that you bent down to me face and murmured tenderly "Fuck up, love! Fuck up, love!"

Nora dear, I am dying all day to ask you one or two questions. Let me, dear, for I have told you everything I ever did and so I can ask you in turn. When that person (Vincent Cosgrave) whose heart I long to stop with the click of a revolver put his hand or hands under your skirts did he only tickle you outside or did he put his finger or fingers up into you? If he did, did they go up far enough to touch that little cock at the end of your cunt? Did he touch you behind? Was he a long time tickling you and did you come? Did he ask you to touch him and did you do so? If you did not touch him did he come against you and did you feel it?

Another question, Nora. I know that I was the first man that blocked you but did any man ever frig you? Did that boy (Michael Bodkin) you were fond of ever do it? Tell me now, Nora, truth for truth, honesty for honesty. When you were with him in the dark at night did your fingers never, never unbutton his trousers and slip inside like mice? Did you ever frig him, dear, tell me truly or anyone else? Did you never, never, never feel a man's or a boy's prick in your fingers until you unbuttoned me?  If you are not offended do not be afraid to tell me the truth. Darling, darling, tonight I have such a wild lust for your body that if you were here beside me and even if you told me with your lips that half the redheaded louts in the county Galway had had a fuck at you before me I would still rush at you with desire.

…………………………………………………….

To NORA
Dublin 6 December 1909
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I would like you to wear drawers with three or four frills one over the other at the knees and up the thighs and great crimson bows in them, I mean not schoolgirls' drawers with a thin shabby lace border, thigh round the legs and so thin that the flesh shows with a full loose bottom and wide legs, all frills and lace and ribbons, and heavy with perfume so that whenever you show them, whether in pulling up your clothes hastily to do something or cuddling yourself up prettily to be blocked, I can see only a swelling mass of white stuff and frills and so that when I bend down over you to open them and give you a burning lustful kiss on your naughty bare bum I can smell the perfume of your drawers as well as the warm odour of your cunt and the heavy smell of your behind.

Have I shocked you by the dirty things I wrote to you? You think perhaps that my love is a filthy thing. It is, darling, at some moments. I dream of you in filthy poses sometimes. I imagine things so very dirty that I will not write them until I see how you write yourself. The smallest things give me a great cockstand - a whorish movement of your mouth, a little brown stain on the seat of your white drawers, a sudden dirty word spluttered out by your wet lips, a sudden immodest noise made by you behind and then a bad smell slowly curling up out of your backside. At such moments I feel mad to do it in some filthy way, to feel your hot lecherous lips sucking away at me, to fuck between your two rosy-tipped bubbies, to come on your face and squirt it over your hot cheeks and eyes, to stick it between the cheeks of your rump and bugger you.

Basta per stasera!

I hope you got my telegram and understood it.

Goodbye, my darling whom I am trying to degrade and deprave. How on God's earth can you possibly love a thing like me?

O, I am anxious to get your reply, darling!

 JIM

To NORA
Dublin  8 December 1909
My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora's fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also.

You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore's glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover's fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling's cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly.

Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.

JIM

To NORA
Dublin  9 December 1909
My sweet naughty little fuckbird, Here is another note to buy pretty drawers or stockings or garters. Buy whorish drawers, love, and be sure you sprinkle the legs of them with some nice sent and also discolour them just a little behind.

You seem anxious to know how I received your letter which you say is worse than mine. How is it worse than mine, love? Yes, it is worse in one part or two. I mean the part where you say what you will do with your tongue (I don't mean sucking me off) and in that lovely word you write so big and underline, you little blackguard. It is thrilling to hear that word (and one or two others you have not written) on a girl's lips. But I wish you spoke of yourself and not of me. Write me a long long letter , full of that and other things, about yourself, darling. You know now how to give me a cockstand. Tell me the smallest things about yourself so long as they are obscene and secret and filthy. Write nothing else. Let every sentence be full of dirty immodest words and sounds. They are all lovely to hear and to see on paper even but the dirtiest are the most beautiful.

The two parts of your body  which do dirty things are the loveliest to me. I prefer your arse, darling, to your bubbies because it does such a dirty thing. I love your cunt not so much because it is the part I block but because it does another dirty thing. I could lie frigging all day looking at the divine word you wrote and at the thing you said you would do with your tongue. I wish I could hear your lips spluttering those heavenly exciting filthy words, see your mouth making dirty sounds and noises, feel your body wriggling under me, hear and smell the dirty fat girlish farts going pop pop out of your pretty bare girlish bum and fuck fuck fuck fuck my naughty little hot fuckbird's cunt for ever.

I am happy now, because my little whore tells me she wants me to roger her arseways and wants me to fuck her mouth and wants to unbutton me and pull out my mickey and suck it off like a teat. More and dirtier than this she wants to do, my little naked fucker, my naughty wriggling little frigger, my sweet dirty little farter.

Goodnight, my little cuntie I am going to lie down and pull at myself until I come. Write more and dirtier, darling. Tickle your little cockey while you write to make you say worse and worse. Write the dirty words big and underline them and kiss them and hold them for a moment to your sweet hot cunt, darling, and also pull up your dress a moment and hold them under your dear little farting bum. Do more if you wish and send the letter then to me, my darling brown-arsed fuckbird.

JIM

To NORA
Dublin (?) 13 December 1909
....................................
I would be delighted to feel my flesh tingling under your hand . Do you know what I mean, Nora dear? I wish you would smack me or flog me even. Not in play, dear, in earnest and on my naked flesh. I wish you were strong, strong, dear, and had a big full proud bosom and big fat thighs.  I would love to be whipped by you, Nora love! I would love to have done something to displease you, something trivial even, perhaps one of my rather dirty habits that make you laugh: and then to hear you call me into your room and then to find you sitting in an armchair with your fat thighs far apart and your face deep red with anger and a cane in your hand. To see you point to what I had done and then with a movement of rage pull me towards you and throw me face downwards across your lap. Then to feel your hands tearing down my trousers and inside clothes and turning up my shirt, to be struggling in your strong arms and in your lap, to feel you bending down (like an angry nurse whipping a child's bottom) until your big full bubbies almost touched me and to feel you flog, flog, flog me viciously on my naked quivering flesh!!

………………………………

To NORA
Dublin  15 December 1909
………………………………………….
No letter! Now I am sure my girlie is offended at my filthy words. Are you offended, dear, as what I said about your drawers? That is all nonsense, darling. I know they are spotless as your hearth. I know I could lick them all over, frills, legs and bottom. Only I love in my dirty way to think that in a certain part they are soiled. It is all nonsense, too, dear, about buggering you. It is only the dirty sound of the word I like, the idea if a shy beautiful young girl like Nora pulling up her clothes behind and revealing her sweet white girlish drawers in order to excite the dirty fellow she is so fond of; and then letting him stick his dirty red lumpy pole in through the split of her drawers and up up up in the darling little hole between her plump fresh buttocks.

Darling, I came off just now in my trousers so that I am utterly played out. I cannot go to the G.P.O. though I have three letters to post.

To bed - to bed!
Goodnight, Nora mia!

JIM

To NORA
Dublin   16 December 1909
My sweet darling girl At last you write to me! You must have given that naughty little cunt of yours a most ferocious frigging to write me such a disjointed letter. As for me, darling, I am so played out that you would have to lick me for a good hour before I could get a horn stiff enough even to put into you, to say nothing of blocking you. I have done so much and so often that I am afraid to look to see how that thing I had is after all I have done to myself. Darling, please don't fuck me too much when I go back. Fuck all you can out of me for the first night or so but make me get myself cured. The fucking must all be done by you, darling as I am so small and soft now that no girl in Europe except yourself would waste her time trying the job. Fuck me, darling, in as many new ways as your lust will suggest. Fuck me dressed in your full outdoor costume with your hat and veil on, your face flushed with the cold and wind and rain and your boots muddy, either straddling across my legs  when I am sitting in a chair and riding me up and down with the frills of your drawers showing and my cock sticking up stiff in your cunt or riding me over the back of the sofa. Fuck me naked with your hat and stockings on only flat on the floor with a crimson flower in your hole behind, riding me like a man with your thighs between mine and your rump very fat. Fuck me in your dressing gown (I hope you have that nice one) with nothing on under it, opening it suddenly and showing me your belly and thighs and back an pulling me on top of you on the kitchen table. Fuck me into you arseways, lying on your face on the bed, with your hair flying loose naked but with a lovely scented pair of pink drawers opened shamelessly behind and half sleeping down over your peeping bum. Fuck me on the stairs in the dark, like a nursery-maid fucking her soldier, unbuttoning his trousers gently and slipping her hand in his fly and fiddling with his shirt and feeling it getting wet and then pulling it gently up and fiddling with his two bursting balls and at last pulling out boldly the mickey  she loves to handle and frigging it for him softly, murmuring into his ear dirty words and dirty stories that other girls told her and dirty things she said, and all the time pissing her drawers with pleasure and letting off soft warm quiet little farts behind until her own girlish cockey is as stiff as his and suddenly sticking him up in her and riding him.

Basta! Basta per Dio!

I have come now and the foolery is over.  Now for your questions!

…………………………………………..
Get ready. Put some warm-brown-linoleum on the kitchen and hang a pair of red common curtains on the windows at night. Get some kind of a cheap common comfortable armchair for your lazy lover. Do this above all, darling, as I shall not quit that kitchen for a whole week after I arrive, reading, lolling, smoking, and watching you get ready the meals and talking, talking, talking, talking to you.  O how supremely happy I shall be! God in heaven, I shall be happy there! I figlioli, il fuoco, una buona mangiata, un caffè nero, un Brasil (cigar), il Piccolo della Sera, e Nora, Nora mia, Norina, Noretta, Noruccia ecc ecc...

Eva and Eileen must sleep together. Get some place for Georgie. I wish Nora and I had two beds for night-work. I am keeping and shall keep my promise, love. Time fly on quickly! I want to go back to my love, my life, my star, my little strange-eyed Ireland!

A hundred thousand kisses, darling!

JIM

To NORA
Dublin    20 December 1909
My sweet naughty girl   I got your hot letter tonight and have been trying to picture you frigging your cunt in the closet. How do you do it? Do you stand against the wall with your hand tickling up under your clothes or do you squat down on the hole with your skirts up and your hand hard at work in through the slit of your drawers? Does it give you the horn now to shit? I wonder how you can do it. Do you come in the act of shitting or do you frig yourself off first and then shit? It must be a fearfully lecherous thing to see a girl with her clothes up frigging furiously at her cunt, to see her pretty white drawers pulled open behind and her bum sticking out and a fat brown thing stuck half-way out of her hole. You say you will shit your drawers, dear, and let me fuck you then. I would like to hear you shit them, dear, first and then fuck you. Some night when we are somewhere in the dark and talking dirty and you feel your shite ready to fall put your arms round my neck in shame and shit it down softly. The sound will madden me and when I pull up your dress

No use continuing! You can guess why!